Never
Never Never
Never
switch back over your regular eraser for any erasing when you
are using Background Eraser.
Always
Always Always
Press
your SPACEBAR instead.
You
have a special regular eraser built right into your Background
Eraser via the spacebar.
Always
use the spacebar. Then you won't ever screw up any of that
background data you just might want to retrieve later.
:)
How
cool.
How really cool.
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When you use
the Background Eraser
and you want to:
1. Erase something unconditionally?
2. Unerase something unconditionally?
Then you should use
your spacebar with the Background Eraser instead of switching
to the regular Eraser tool. This is particularly significant
for item 2. |
OK,
but why?
The Background Eraser is actually
cleverer than it seems. Sure, it decides what is object and what
is background and then erases background. But it also does something
else. It subtracts the background color from the object color
that is left behind. This gives you cleaner edges, uncontaminated
with background color. The range of colors over which this happens
depends on magic stuff happening in the brush, but is also affected
by the Softness control.
But
what's it got to do with switching tools?
While the Background Eraser
tool is active it has access to the original image colors. If
you unerase (right-mouse or spacebar-right-mouse) the tool can
always restore the original image colors.
However, when you exit the
tool the original image information is discarded and the image
colors are replaced by colors that result from subtracting the
background colors. (These are the same colors that appear on
the screen while using the Background Eraser, the original colors
being kept stashed temporarily and invisibly.)
Where there is a lot of transparency,
the colors can become really strange as a result of subtracting
the background color. Now, if you use the regular Eraser the
results look really weird. |
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Where
do you set the tolerance for the background eraser?
Look in the
tool ribbon. The first "tab" (I forget the official
name) contains Shape, Size, Hardness, Step, Density, Thickness
and Rotation. (Defaults should be Shape = any, Size = any but
I don't recommend below 25, Hardness = 100 (yes, really), Step
5 (higher and you don't sample image colors often enough, lower
and the brush is slow), Density = 100, Thickness = 100, Rotation
= don't care. The second "tab" has Opacity, Tolerance,
Softness, Sampling, Limits and checkboxes for AutoTolerance,
Sample Merged and Ignore Lightness. Opacity should be set to
100. Normally, you should check Auto Tolerance. The brush will
automatically determine the best tolerance from the colors under
the center of the brush. Though greyed out, the Tolerance control
will update so you can use the number there as a starting point
for manual adjustment. Softness should be normally left at 30.
The Softness affects an automatic computation of edge softness
based on color difference. If you have an extremely small color
difference between object and background setting this control
to less than 30 may improve separation. If the edge of the object
resembles a broad gradient between colors, increasing Softness
may be in order. Sampling Once means the sampling is done at
the start of the stroke only. This is useful with a uniform background
and allows you not to be careful about following object edges.
Continuous is obvious - sampling throughout the stroke. BackSwatch
and ForeSwatch use the respective swatches in the Material Palette
for the definition of the color to be erased. Limits Discontiguous
means that you erase background wherever it exists under the
brush and is useful for objects with internal holes. Contiguous
means that the background color will be erased only where it
forms a continuous connection to the center of the brush. This
tends to preserve object edges better than Discontiguous and
is recommended when the color inside an object is similar to
the background color. Find Edges is useful if the object and
background color are similar. Additional edge information is
used by the brush and object edges can be localized better. However,
the price might be that the edges are a little sharp or distinct.
Sample merged samples the background color not just from the
active layer but from the entire merged image. Ignore lightness
is a special setting that can improve the selectivity of the
brush in certain cases. It is used when the object is very colorful
and the background is unsaturated or the converse. If your image
has heavy JPEG artifacts this setting may well detect and reveal
block edges in your image.
If I were you
I would change the order of the "tabs" in the tool
ribbon, setting the second one as the leftmost. You will be adjusting
all but the Opacity on the second "tab" fairly frequently.
Size is about the only thing you would normally change on the
first "tab". Right now the default organization of
the tabs is so that the tool ribbon for all brushes looks alike.
Programmers like this sort of consistency, However, on 800 x
600 it kind of hides the most useful part of the controls for
the Background Eraser. That's probably where yours went. -Kris
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